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May 2008

Saturday, May 31, 2008

Big Ass Confederate Flag Coming to a Highway Near You

Plans are underway to place a large Confederate flag measuring 30 feet high and 50 feet long — atop a 139-foot pole at the junction of Interstate 75 and Interstate 4 in Tampa, Florida.  The project is being funded by the Sons of Confederate Veterans who believe that this is the most effective way to share the rich history of the Confederate South.  Two other flags have already been placed, one in Suwannee County along Interstate 75 and one in Havana along U.S. 27.  Plaques will be included at the base of what is being billed as the largest Confederate flag in the country.  Of course, it wouldn't be complete without a marker honoring all those "black Confederate veterans." 

Apparently, the group only needs $30,000 more to complete the project.  I don't know how much has already been expended between these three flags, but given all of the misunderstanding claimed by the SCV regarding its history and the Civil War, wouldn't these funds be better utilized elsewhere?  What exactly does a large flag accomplish in a section of the state that has struggled with its history?  So now, in addition to seeing the Confederate flag on beach towels, bathing suits, key chains, bed sheets, we can also see it from Florida's highways.  Sorry, but it is hard to take groups like the SCV seriously when this is the best they can do to point us in the direction of the past.

Friday, May 30, 2008

There is Nothing Moving on the Picture

Static1 From Brainden.com

South Carolina Civil War Sesquicentennial Commission Adds Key Members

South Carolina's Civil War Sesquicentennial Commission seems to be making some progress of late.  They are not as far along as Virginia and North Carolina so it will be interesting to see if they can pull it all together before 20011.  As we all know they are pretty much up to bat first given the significance of Fort Sumter.  I came across an interesting little article which indicates that the commission is concerned about ensuring that events reflect multiple perspective and appeal to a wide array of the state's population, especially the African-American community.  To that end the commission added a representative from the Penn Center, which is historically significant in its own right:
"My concern was that the African-American experience was not being represented, and that's true of everything in South Carolina -- whenever it comes to these statewide events and committees, they forget African-Americans are (about 29 percent) of the state," said Jannie Harriot, chairwoman of the S.C. African-American Heritage Commission, who is slated to be part of the board and spearheaded the effort to include Penn Center. "If anybody knows anything about the history of South Carolina and the history of Penn Center, you know about the contributions of Penn Center right after the Civil War and even during the Civil War."

Patrick McCawley noted that, "The advisory commission is looking to commemorate events, not celebrate (events)."  "We want to be inclusive, and these (sesquicentennial) events should be designed to include all the multiple perspectives that go on when you have a cataclysmic event like the Civil War."

Easier said than done.  

Thursday, May 29, 2008

Congratulations to Paul Levengood...

 who has been named as the new chief executive officer at the Virginia Historical Society.  I had the good fortune of working closely with Paul a few years ago when he was managing editor of the Virginia Magazine of History and Biography.  The search committee has made an excellent choice and I wish Paul all the best.

"God Blessed America" and the Confederacy Too

Hey, you forgot the most important one of all: Constitution of the Confederate States of America

Preamble: We, the people of the Confederate States, each State acting in its sovereign and independent character, in order to form a permanent federal government, establish justice, insure domestic tranquillity, and secure the blessings of liberty to ourselves and our posterity invoking the favor and guidance of Almighty God do ordain and establish this Constitution for the Confederate States of America.

Sec. 9. (I) The importation of negroes of the African race from any foreign country other than the slaveholding States or Territories of the United States of America, is hereby forbidden; and Congress is required to pass such laws as shall effectually prevent the same.

(2) Congress shall also have power to prohibit the introduction of slaves from any State not a member of, or Territory not belonging to, this Confederacy.

(3) The privilege of the writ of habeas corpus shall not be suspended, unless when in cases of rebellion or invasion the public safety may require it.

(4) No bill of attainder, ex post facto law, or law denying or impairing the right of property in negro slaves shall be passed.

The Last Confederate

I'm not sure how I missed this movie, which is supposedly based on the true story of Robert Adams.  Why does Hollywood have to make it so difficult for me to admit in public circles that I teach and write about the American Civil War?  Here is the dramatic overview from the official website:
Just as they met, The Civil War was upon them. All he knew was tied into the conflict and the one thing that he held to was his love for this northern woman. He knew that he might sacrifice all he had if he entered into this conflict. He believed in protecting the life he had, and the life he wanted, but he knew the price would be great. His quest for survival grew as the war worsened. He was captured and sent to prison; he lost his best friend; his town was burned and the war was all but lost. Robert’s connection to Eveline weakened and he lost the path he believed he was on. Her love for him would be the one thing that could carry him through.
and here is a review from Variety.
Any number of reasons exist not to believe anything happening here, in alleged 1864: modern haircuts, modern dentistry and clothing that looks like it came off the rack at an antebellum JC Penney.  Race relations, however, are the first tipoff that we're in a revisionist wonderland: Establishing shots display well-dressed children, black and white, frolicking together on plantation lawns; besuited black men play chess with their supposed oppressors. Why, we wonder, did we fight a dang war anyhoo? "To make a better life," someone tells transplanted Yankee Eveline McCord Adams (Gwendolyn Edwards), for whom Robert Adams runs a "Cold Mountain"-esque gauntlet after he's captured and abused by psychopathic Northern soldiers....Unless everyone from Harriet Beecher Stowe to Shelby Foote has been lying to us, the pic's attempt to portray the slave economy of the Old South as some kind of day camp isn't just inept, but offensive.




I thought Mickey Rooney was dead!

Tuesday, May 27, 2008

Unfortunately, Keith Poulter Still Doesn't Get It

Update: A reader was kind enough to pass on a link to one of Bradley's SCV presentations.  He essentially reads the N&S piece which is why I am doing this.  Believe me when I say that I hate having to link to one of these sites. 

The latest issue of North & South magazine arrived today and I was looking forward to reading the reactions to Michael R. Bradley's article, "In the Crosshairs" (vol. 10, no. 5.).  I was both pleased and profoundly disappointed by what I read.  [See here for my own critique of this piece.]  Three letters were published and all of them were critical about some aspect of Bradley's research.  Dwight Pitcaithley, who is a former chief historian with the National Park Service, went furthest in pointing out the most egregious oversights in the article. Along with one of his graduate students, Pitcaithley checked all ten of Bradley's endnotes that referred to the Official Records and found that not "one of the listed sources reveal an official policy to target civilians with violence.  To the contrary, we discovered that Mr. Bradley omitted portions of the letters he cites that demonstrated the officers involved were concerned about the violence perpetrated against Confederate civilians and wanted to stop it."  He then goes on to explore three examples in detail.

Continue reading "Unfortunately, Keith Poulter Still Doesn't Get It" »

Declension Narratives in Civil War History

I've said it before, but it bears repeating, that one of my favorite blogs is Tim Burke's Easily Distracted.  The other day he posted some interesting thoughts about declension narratives in history, their attractiveness, and potential shortcomings:

I seriously hate declension narratives. Anything that starts out with, “Once upon a time, there was a golden age, and then the barbarians came and wrecked it all…” gets me going for my guns. Even when it’s a reasonable enough story, because now and again there’s something to claims of degeneration, failure and loss. The problem is that even the reasonable arguments drift quickly into the borderlands of exaggeration and from there often just go ahead and boldly march into being a big lie.

As I read through the post it hit me that Civil War/Southern History is rife with declension narratives; in fact, it could be argued that much of our popular memory of the antebellum South and of the war itself falls within its parameters.  Arguably, one can find the most egregious examples of declension within traditional interpretations of the antebellum South whose greatest expression can be found in Margaret Mitchell's Gone With the Wind.  Stories of peaceful southern farms and happy slaves overseen by paternalistic slaveowners continue to dominate our collective memory of the antebellum South as well as a perspective on the war itself that is celebratory rather than skeptical; we don't treat the experiences of WWI soldiers as we do our Civil War soldiers.  The Civil War is best understood, as the argument goes, as standing on the precipice of modernism with the final year of the war in Virginia set aside as an indication of what is to come in the modern era.  We can also see declension at work along the fault line of those who view Lee as part of the last generation of heroic warriors as opposed to a modern general.  In both cases there is an implicit assumption of loss and decline that is salient.  Burke concludes with the following:

I think this is a generic kind of fallacy that slips into declensionist stories, and not just conservative ones, a misrembering and compression of the details and messiness of history as we have lived it. I’m not going to be so much of a prig for accuracy as to argue that fantasies about the past don’t sometimes have a constructive, healthy relationship to transformations of the present. The general problem with delusions about decline, however, is that they mislead us into thinking that we are trying to restore some past covenant or arrangement when what we are really trying to do is create something that has yet to exist. On that confusion, both bad and good projects often run aground, but not before they do a lot of collateral damage in the process.

Burke is correct in pointing out that narratives of decline and loss tend to be based on an overly simplistic reading of the past; in short, these stories seem to be more about our own needs rather than an honest attempt at coming to some kind of historical understanding.  For example, check out Brian Lamb's interview with Thomas DiLorenzo this past Sunday on Q&A.  It is almost impossible not to emphasize DiLorenzo's own misgivings about the current size of the federal government and his contention that it is overly intrusive as factors in explaining his understanding of Lincoln and the history of the government during the course of the war.  Listening to him make claims about antebellum politics it is apparent that he has not read critical studies by Michael Holt, William Gienapp, and William Cooper.  The declensionist streak in DiLorenzo's work sets up an antebellum political world that never existed, but ultimately makes it possible to point the finger at one moment, even one individual, who pushed over the first domino and set the ball of corruption in motion. 

Although the oversimplication of the past is something to be concerned about, the declensionist pull does the most damage in its tendency to push the past further away thus rendering it more difficult to identify with.  After all, if there was indeed a fall from grace the people who lived long ago must be of a different kind altogether.  As a result, our response tends to be veneration rather than understanding and this is where, as I see it, the "collateral damage" sets in.  The worst damage is done by those who see themselves in this lost age when a careful reading of the relevant evidence suggests otherwise.  Burke may be correct that "fantasies about the past" can lead to transformation in the present.  Within the context of the Civil War, however, most of those fantasies are wrapped around myths about slavery and race and have a tendency to alienate entire groups and reinforce political fault lines rather than serve a common good.

Monday, May 26, 2008

Remembering Their Sacrifice on Behalf of the United States

Scouts Do these young Boy Scouts know why these flags look different from all the other flags placed on the graves of soldiers on this Memorial Day? 

Nice Blend of History and Remembrance

I try to watch the CBS News Show Sunday Morning w/ Charles Osgood whenever possible.  Yesterday they ran a segment on Arlington which is now available on video from their website

  • Cliopatria Citation for Best Individual Blog: "Kevin Levin's Civil War Memory is an impressive individual blog, with a track record of several years. It commonly offers the best of both military history blogging and history blogging about the broader political, intellectual, and social context of regional conflict. This past year, for example, Civil War Memory has devoted considerable attention to the Lost Cause myth and the quest for Black Confederates."

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